Young Greeks at the Mosque

Artist: Jean Léone Gérôme

Title: Young Greeks at the Mosque

Signed upper left 1865

Medium: Oil on Panel

Size: 15x11 in (38x28cm)

French Orientalist

Arnaut Officer Guard

Artist: Jean Léone Gérôme
Title: Arnaut Officer Guard, Cairo/corps de garde d'arnautes au caire
Signed:
Medium: Oil
Size:
French Orientalist

The Answered Prayer

Artist: Jean Léone Gérôme
Title: The Answered Prayer, 1895
Signed:
Medium: Oil
Size:
French Orientalist

The Plain of Thebes, Upper Egypt

Artist: Jean Léone Gérôme
Title: The Plain of Thebes, Upper Egypt
Signed:
Medium:
Size:
French Orientalist

After the Bath

Artist: Jean Léone Gérôme
Title: After the Bath 1881
Signed:
Medium:
Size:
French Orientalist

Cleopatra before Caesar

Artist: Jean Léone Gérôme
Title: Cleopatra before Caesar
Signed lower left 1866
Medium: Silk
Size: 72x51in (183x129.5cm)
French Orientalist

Bather

Artist: Jean Léone Gérôme
Title: Bather/femme nue
Signed lower left 1889
Medium: Oil on Canvas
Size: 16.25x12.75in (41.3x32.4cm)
French Orientalist

Almeh with Pipe

Artist: Jean Léone Gérôme
Title: Almeh with Pipe 1873
Signed:
Medium:
Size:
French Orientalist

Reception of Grand Condé

Artist: Jean-Léon Gérôme
Title: Réception du Grand Condé par Louis XIV (Versailles, 1674), 1878
Signed:
Medium: Oil on canvas/huile sur toile
Size:
Location: Musée d'Orsay, Paris
French Orientalist

The year is 1674, and on the great Escalier des Ambassadeurs, in Versailles, Louis XIV is welcoming the Grand Condé, who has just defeated William of Orange in the battle of Seneffe. This event marked the end of almost fifteen years of exile for the Grand Condé, which had been designed by the king to punish "his cousin" for leading the Fronde against the monarchy.

Gérôme concentrated all his passion for historical reconstruction into this modest-sized painting, making use of different iconographic sources to lend the scene more credibility such as engravings of the Château de Versailles and portraits of the various persons represented.The composition is made dynamic by the high-angle view and the off-centring of the large compositional X structure. Gérôme employed a delicate palette in which the overall sense of clarity and the cool tones of the marble are invigorated by the colours of the costumes and flags.


In making this painting, Gérôme was hoping to find a buyer in the Duke of Aumale who was about to move into the Château de Chantilly, the Condés' former property. However, the transaction failed and the painting was sold to the American millionaire William Henry Vanderbilt instead. From 1886 to 1903 it was loaned to the Metropolitan Museum in New York, while the work became widely known in France through multiple engravings. After the second world war, it fell into relative obscurity. Source: Musée d'Orsay

Portrait de la Baroness Nathaniel de Rothschild

Artist: Jean-Léon Gérôme
Title: Portrait of the Baroness Nathaniel de Rothschild 1866
Medium: Oil on wood
Size: 49.6 x 35.8cm
Location: Musée d'Orsay, Paris
French Orientalist

The baroness Charlotte de Rothschild (1825-1899), who married her cousin Nathaniel (1812-1870) in 1842, was brought up surrounded by the artists her parents received and so went on to become a welcome figure in the world of artists and musicians. In 1835, Frederic Chopin, her piano teacher, dedicated one of his two opus 69 waltzes to her. However, she was more interested in visual arts than music and became a watercolorist, participating regularly at the Salon, and later in the exhibitions of the Société des Aquarellistes. The Baroness was also a remarkable collector with a taste for a variety of styles, as is suggested here by the eclectic and luxurious décor which surrounds her.

The portrait, painted by Gérôme in 1866, pays homage to Ingres'1848 portrait of the model's mother, Betty (1805-1886), which is housed in a private collection. Gerôme used a similar technique to Ingres; smooth and precise with sumptuous effects such as the marbled reflections of the dress, and he also borrowed the Ingres' positioning of the hand, supporting the chin.

Female portraits by Gérôme are rare; this is the first to enter the Musée d'Orsay collections, and only the third to be recorded in the French national collections. As well as representing the baroness Nathaniel de Rothschild, one of the mid-19th centuries most renowned figures, the portrait also embodies the atmosphere of the Parisian society of the age.

Source: Musée d'Orsay

Arab Purchasing a Bridle

Artist: Jean Léone Gérôme
Title: Arab Purchasing a Bridle 1881
Signed:
Medium: Oil
Size:
French Orientalist

A Japanese imploring a Divinity

Artist: Jean Léone Gérôme
Title: A Japanese imploring a Divinity
Signed lower left, 1880
Medium: oil on canvas/huile sur toile
Size: 28 x 23.75 in (71.1 x 59.1 cm)
French Orientalist

Arnout Chief Praying Figure Study

Artist: Jean Léone Gérôme
Title: Arnout Chief Praying Figure Study/ la priere cehz un chef arnout
Signed:
Medium:
Size:
French Orientalist

Arnaut Officer

Artist: Jean Léone Gérôme
Title: Arnaut Officer 1857
Signed:
Medium: Oil on Panel
Size: 13x10.5in (33x26.8cm)
French Orientalist

View of Paestum

View of Paestum

Artist: Jean Léone Gérôme
Title: View of Paestum/ Vue de Paestum, esquisse
Signed:
Medium: oil on canvas/huile sur toile
Size:(18.5 x 27 cm)
French Orientalist

The Egyptian Smoker

Artist: Jean Leone Gerome
Title: The Egyptian Smoker/ Le Fumeur Egyptien 1865
Medium: etching on laid paper
Size: 11 x 8.6 cm
French Orientalist

Egyptian Girl

Artist: Jean Leone Gerome
Title: Egyptian Girl/ Jeune fille égyptienne 1877
Signed lower right
Medium: Oil
Size: 18.39" x 15"
French Orientalist

Veiled Circassian Beauty

Artist: Jean Léone Gérôme
Title: Veiled Circassian Beauty, 1876 /Femme circassienne voilée
Signed: yes
Medium: Oil
Size: 16.02" x 12.83"
French Orientalist


I did a self-portrait in 2000 with this painting as a reference.

The Last Judgement Day

Artist: Jean Léone Gérôme
Title: The Last Judgement Day/ le jour du jugement dernier
Signed:
Medium:
Size:
French Orientalist

Arnaut Smoking

Artist: Jean Léone Gérôme
Title: Arnaut Smoking
Signed upper left 1865
Medium: Oil on Panel
Size: 14x10in (35.3x24.2cm)
French Orientalist

Arnaut of Cairo

Artist:Jean Léone Gérôme
Title: Arnaut of Cairo
Signed lower left 1870-1871
Medium: Oil on Panel
Size: 10x7.75in (25.4x20cm)
French Orientalist

Arnaut and Dogs

Artist: Jean Léone Gérôme
Title: Arnaut and Dogs/arnaut et chiens 1879
Signed:
Medium:
Size: 13x10in
French Orientalist

Monument to Gérôme

Monument à Gérôme
Originally uploaded by PiscesDreamer

Monument to Gérôme
bronze
Aimé Morot (1850 - 1913, son-in-law of Jean-Léon Gérôme)

With Philip's permission - thank you!

Markos Botsaris

Artist: Jean Léone Gérôme
Title: Markos Botsaris, 1874
Signed upper center 1874
Medium: Oil on Canvas
Size: 27x21in (70x54cm)
French Orientalist

King Candaules

King Candaules

Artist: Jean Léone Gérôme
Signed:
Title: King Candaules
Medium: Oil on canvas/huile sur toile
Size:
French Orientalist

Rustem Pasha Mosque Istanbul

Artist:Jean Léone Gérôme
Title: Rustem Pasha Mosque Istanbul
Signed:
Medium: Oil
Size:
French Orientalist

Lion

Lion

Artist: Jean Leone Gerome
Title: Lion
Signed lower center J. L.Gerome (late period)
Medium: Oil on Canvas/huile sur toile
Size: 23.75 x 36 in (60.3 x 91.4 cm)
French Orientalist

Portrait of a Lady

Portrait of a Lady

Artist: Jean Leone Gerome
Title: Portrait of a Lady 1866
Signed left center
Medium: Oil on canvas
Size21 1/4 x 14 1/8 inches (54 x 36 cm)
Location: Private collection

Egyptian Recruits Crossing the Desert

Egyptian Recruits Crossing the Desert

Title: Egyptian Recruits Crossing the Desert 1857
Signed lower right
Medium: Oil on panel
Size: 25 1/8 x 43 1/8 inches (64 x 109.8 cm)
Location: Private collection
French Orientalist

The Harem in the Kiosk, Constantinople

Artist: Jéan Léone Gérôme
Title: The Harem in the Kiosk, Constantinople
Signed:
Medium:
Size:
French Orientalist

Arnaut Officer

Artist: Jean Léone Gérôme
Title: Arnaut Officer
Signed:
Medium:
Size:
French Orientalist

For artists these unfinished paintings or studies are a treasure trove. Here the pencil outlines of the figures are only slightly hidden behind a thin wash. Eventhough the work is in it's early stages the arnaut has a solid presence and is well grounded, through the cast shadow. The clothing already shows promise of great attention to detail as we are used to seeing in Gërôme's work.